Inferno Inferno was the first story I wrote, and it is still, in many ways, my favourite, maybe in the way that people are never supposed to forget their first love. For four months, this was everything to me. I wrote it during a long period without Internet access, during a summer of no new episodes. For the whole time, it was my only link with my X-Files obsession. Consequently, it totally dominated my thoughts in a way no story has done since. I composed it in my head on the way to work, while talking to people, while in bed. I wrote much more slowly then than now, too, so it was a long obsession. I also grew very fond of my secondary characters - the only time I've really created characters of my own. Poor Gardiner, hero- worshipping Mulder, much to Mulder's dismay, and rather charmed by Scully. Newman, the nasty agent-in-charge who hates Mulder, but who does genuinely care about solving the case. And Lewis, the villain, who I could write about for hours.... I am still very nostalgic for that summer. The story itself is heavy angst, of course. The theme is guilt, and blame - self-blame, and blaming others. (Be warned that the following contains spoilers for the story. You may wish to read it at the end instead.) The story starts with a criminal, Matthew Lewis, being arrested, and, rather than taking responsibility for his own actions, swearing undying hatred for the man who caught him. Later we find out that, over the years, he has come to blame that man for _everything_ that has ever gone wrong in his life, in much the same way as Mulder seems to blame everything wrong in his own life on Samantha's abduction. Find Samantha, and everything will be okay, he feels. For Lewis, it is similar - get revenge on the man who captured him, and everything will magically fall into place again. Won't it? This is the story of Lewis' overwhelming need to blame, yet it is also the story of Mulder's almost-identical need. Mulder and Lewis are two halves of the same coin. Both have a single defining moment in their life to which they attribute everything. "Nothing else matters," says Mulder, of his search for Samantha. "Nothing else matters," says Lewis, of his need for revenge. But if Mulder found Samantha, would it change anything else in his life? Would it change the past? Would it give him his father back, and his childhood, and the respect of his colleagues? Would it make him happy? (A question I explored in a short story: "The Rich Fisher.") Worse, what if he was forced to face the possibility that Samantha's abduction was his own fault, and no-one else's - that his father's death was his own fault, and Scully's abduction? What if he came to believe that he had no-one but himself to blame for everything wrong in his life, and everything wrong in the lives of anyone he's ever cared for? What then? We're talking guilt - the shifting of blame from something external, to something internal. If guilt becomes excessive, what happens? Would this sudden revelation drive Mulder to feel even more determination to succeed, to atone? Would it overwhelm him, making him wallow in regret for the past, preventing him from acting? And - poor Mulder - I cheated. I gave Mulder a little voice in his head, constantly reminding him of all the things he has to feel guilty about, constantly reminding him of his failures. Like with Modell, we're talking mind control, almost. I don't see Mulder as being on the verge of insanity, depressed, nervous, introverted. I really don't. But the Mulder in this story _is_. He's a Mulder pushed beyond endurance by an invader in his own mind. I would like to think that he fights very well, all things considering. But he doesn't talk to Scully about it, and that's setting up themes for the sequel.... ***** Purgatorio Purgatorio is the sequel to Inferno, though the case-file part of the plot is self-contained. At the end of Inferno, Mulder had suffered at the hands of Lewis, a psychic criminal who, bent on revenge, invaded Mulder's mind to whisper a constant litany of guilt and blame, even managing to replace some of Mulder's memories with subtly different images. As a result, Mulder came to believe that he was responsible for all bad things that had ever happened in his life, or Scully's. Happy story, then. Inferno ended with Scully vowing that they would recover, but, really, how plausible is this? Scully, you see, doesn't believe in psychics. All she knows is that, recently, her partner was almost suicially depressed, on the verge of insanity. "It wasn't me; it was psychic mind control," says Mulder, dismissing her concern, refusing to see a counsellor. "I'm okay now. It's over," he says. Scully is not convinced. And she is right not to be. Yes, Mulder has realised that the voices in his head were the work of a psychic, yet the after-effects still linger. Which memories are real and which are planted by Lewis? Unfortunatly, he still believes the false ones. While he accepts that Lewis invaded his mind, part of him thinks that Lewis did him a favour - he showed him the truth. It's a painful truth, but it's the truth. He just has to accept it, and get on with it. Misunderstandings all round, then. While Mulder is painfully depressed, Scully is getting increasingly stressed, feeling that she has to be strong and bear Mulder's problems as well as her own. Mulder needs her, she feels, so she must not allow herself to relax, to break down herself. But how to you help someone who denies that they need help? You try again, and again, and again, until you are ready to scream with the frustration and the stress of it. This is more a Scully story than a Mulder story, then. It is also a case-file, which includes some scheming by the Consortium, links to Scully's abduction, and a sneaky little plot twist that, in Mulder's view, could explain quite why Scully is finding it so hard to cope. Scully, though, simply can not accept Mulder's theory - simply can not even begin to contemplate accepting it. Can their partnership survive? ******